Sunscope Entertainment

Music Composition

Original Music for Film, TV, Advertising & Digital Media

Sunscope Music writes original scores, themes and custom cues that give a story or brand its own sound. From the first theme to the final mix, we compose, record and deliver music that’s cleared, documented and ready for broadcast, streaming or theatrical release.


Our sound

Cinematic Range, Detroit Roots

We compose across genres, including cinematic orchestral, electronic, ambient and hybrid. Our deepest roots are in soul, jazz and funk. Through our sister label, Lovelane Music Group, we draw on a Detroit soul and funk catalog, so a period piece or a brand that wants an authentic vintage sound gets the real thing, not an imitation.

We blend live instruments and session players with modern production, and deliver every piece mixed and mastered for the platform it’s going to.


What we do

Services

Film & TV Scoring

  • Original scores for features, shorts, series and documentaries
  • Main themes and recurring motifs for characters and stories
  • Underscore cued precisely to picture

Advertising & Branded Music

  • Custom music for commercials and campaigns
  • Sonic logos and brand themes
  • Cutdowns timed to 60, 30, 15 and 6-second spots

Music Supervision & Soundtracks

  • Finding and clearing existing songs for your project
  • Negotiating sync and master-use licenses
  • Licenses scoped to your release, from festival-only to worldwide all-media, so you don’t overpay
  • Soundtrack album development

Arrangement & Live Sessions

  • Vocal arrangement and orchestration
  • Session musicians and live recording sessions
  • Producing songs written for the screen

Sound Design

  • Musical sound design and textures
  • Integration with the final mix, in coordination with our post-production team

How it works

The Scoring Process

StepWhat happens
1. Spotting sessionWe watch the cut with you and mark where music starts, stops, and what each scene needs.
2. Themes & demosWe compose main themes and share demos for your approval before scoring the full project.
3. Composing to pictureEach cue is written to the edit, with mockups for review.
4. RevisionsNotes and revisions, cue by cue.
5. Recording & mixingLive players where needed, then final mixing and mastering.
6. Delivery & paperworkMixes, stems, cue sheets and licenses delivered for the final mix and for distribution.

What you receive

Deliverables

  • Final mixes: Stereo, plus 5.1 surround for theatrical and broadcast
  • Stems: Separated instrument groups so your mixer can balance music against dialogue
  • Alternate versions: Shorter edits, loops, and versions with and without vocals
  • Cue sheets: Filed with the performing rights organizations (ASCAP, BMI, SESAC) so royalties are tracked correctly
  • License and rights documents: For your distributors’ delivery requirements
  • Formats: WAV at 48kHz/24-bit, plus any format your platform requires

Who owns the music

Rights Options

OptionHow it worksBest for
Work for hireYou own the copyright to the music. The composer keeps the writer’s share of performance royalties, as is standard.Studios, networks and brands that need full ownership
LicenseSunscope Music publishes the music and keeps the copyright, and you get the rights you need for your project. Lower upfront cost.Independent films and limited-budget projects
Package dealOne fee covers composing, musicians, recording and mixing.Producers who want one fixed music cost

Looking to license existing songs from our catalog instead? See Music Publishing.


Who We Work With

  • Feature films, shorts and documentaries
  • TV and streaming series
  • Commercials and brand campaigns
  • Trailers, promos and digital content
  • Games and interactive media

Booking Notes

  • Every project is quoted on runtime, intended use and territory, live musicians and rights.
  • We start with a spotting session or creative call, then send a written proposal.
  • Rush scoring is available, depending on schedule.
Now Playing: —
Ron Cobert • 2025
Duration: 2:15 • Writer Publisher Splits: 100% • Master Splits: 100%